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This is a transcript of an interview with Geoffrey Leventham, given after the release of the Oozak EP.
Good morning. To start with, who are you? Good morning. I am Geoffrey Leventhem, the founding member of Oozak. How did you get started on the kazoo? My parents were very musical people. I can't remember the first time I played a kazoo; there was always one somewhere in the house. Actually, my earliest kazoo memory is trying to make fart noises in a big brass kazoo. Was the kazoo always your major instrument? For a long time, I forgot about the kazoo. As a teenager, it was all guitars and drums. But one day, I realised that I was wasting my time, and that the kazoo was the instrument I should have been playing. Kazoos are often called a novelty instrument. How do you feel about this? Obviously, as a serious musician, it saddens me to see such a noble instrument maligned like this. The kazoo's versatility has been a double-edged sword; it makes an excellent novelty instrument, but it is also capable of so much more. That's where Oozak fits in. So Oozak was about the promotion of the kazoo? Absolutely. I mean, I knew that the album was never going to be high art, but if I could help change the public perception of kazoos, it would open up the market for other artists. It looks like I'm succeeding. You've been accused of being derivative and unoriginal. I can't deny that the Oozak album was derivative - it was an album of covers! To my critics, I can only ask them to wait for the future. Will Oozak expand to use other instruments? You will have to wait and see. What are your immediate plans? I will be touring internationally to support the album, and then focus on future releases Geoffrey, thank you for your time. My pleasure.
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